Allen&Heath GL2400 mixing desk

The Allen & Heath GL2400-424 has many uses. As pioneers of dual functionality, Allen Heath have ensured that every detail of the concept has been carefully implemented with no controls redundant.

When mixing Front-of-House, the monitors can be set pre-insert as well as pre-EQ to prevent your house mix EQ and compression affecting the stage mix. Per channel aux switching on the Allen & Heath GL2400-424 means you can mix pre-fade with post-fade sends such as theatre radio mics and sound effects.

As a monitor console, the aux masters get faders, inserts, mutes, meters and balanced XLR drive. You even get a fader controlled engineer' wedge feed. The Groups and LR mixes are still available to create yet more sends. In monitor mode the Allen & Heath GL2400-424 can provide up to 10 mixes, for example 6 wedge and 2 stereo IEM.

1 Day Hire Price
£50
3 Day Hire Price
1 Week Hire Price
£150

Please note all prices are exclusive of VAT (17.5% will be added to the final price).

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Features

  • 16, 24, 32, 40 channel frames
  • LR and M main outputs
  • 4 Audio groups with pan control
  • 6 Auxiliary sends with per-channel pre/post fader switching
  • 2 stereo channels each with mic and dual stereo line inputs
  • 7x4 Matrix
  • Proper dual functionality for FOH and/or Monitor mixing
  • M can be configured as LR sum, Wedge, or Aux-Fed Sub or C master
  • Recording capable with channel direct outputs
  • Matrix external inputs with level trims and common input capability
  • Stereo channel line inputs can be independently routed to LR
  • Stereo channel mic input breakpoints for cross patching into matrix
  • Responsive 4 band, 2 sweep EQ
  • 100Hz channel high pass filters
  • Individual phantom power and Polarity switching
  • Dedicated Channel, Master and stereo Monitor meters
  • Internal jumper plugs for pre/post-EQ aux, direct out and other options
  • Mutes, meters and AFL on all fader masters
  • Assignable talkback
  • 1kHz oscillator and pink noise generator
  • 2-track monitoring and replay to LR
  • Electronically balanced XLR outputs with +26dBu drive capability
  • Preamp +34dBu maximum input capability for mic or line
  • Ultra low noise mix head amp design
  • Internal power supply with MPS12 backup supply input (16 to 32 models)
  • External RPS11 power supply and socket for backup supply (40 model)
  • 100mm dust protected faders
  • Metal jacks, gold-plated XLRs, sealed pots and switches
  • Individual circuit card assembly with nutted pots
  • Solid copper bus bar grounding
  • Sys-Link V2 console linking option
  • 4-pin XLR lamp sockets
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